Jordan McConnell's 'AS'tonishing Media Blog
Tuesday, 15 March 2016
Evaluation Question 6
Technology
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Used Before?
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Job Role
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Skill Developed
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Practicality
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To update the progress of research and development of our film, from concept to final product.
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Time management as well as organisation and design skills
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Very as it is easy to update and date all of the work, however it’s original layout is difficult to navigate and needs to be changed.
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Google Drive
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To allow all the group to access all of the work at once meaning if someone was ill everyone could continue with the work.
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Organisation skills
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Extremely practical even in the event not everyone is present.
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Adobe Illustrator
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To allow us to use the correct font through, across many computers.
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Cross compatibility
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Although a little confusing to start with once we used it several times it became fairly practical (a lot easier than constant downloads)
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Iphone 6
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To record a few final bits that needed re-recording due to audience feedback advice
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Steady filming and tracking
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Very easy to setup and use.
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Survey Monkey
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To allow us to survey more than just a class full of people, also mean not everyone had to be present in the room to give feedback.
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Data analysis.
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Moderate to use as menu’s are fairly confusing but gave good results and data.
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SSD
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To store Raw film recordings
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Data Handling
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Very easy, just plug in and use.
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Pentax K-30
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To use during film production to film the concept.
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Tracking, Panning, shot taking, positioning.
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Once set up, very easy to use in combination with tripod.
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PC (School)
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To edit the raw film into the final product
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Editing
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The hardware itself is very simple to use.
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Go-Pro Hero 3
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To film POV shots
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Action Filming
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Very easy, just attach and use
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Macbook
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To edit photographs
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Photo editing
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Moderate to use, however, light to carry around
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Ipad
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To edit logos and produce mock newspapers
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Photo editing
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easy to use, however, limited in software
| |
Slideshare
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To upload Powerpoint presentations.
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Uploading presentations
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After a tutorial it was easy to use, however, at first look the instruction were not clear.
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Youtube
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To upload our final film (acts as our distributor)
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Distribution
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Very easy after an account is set up
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Google Account
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To use across all other technologies (i.e. Youtube and Google Drive)
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Account management
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Very easy to set up
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Premier Pro
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To edit and cut our raw film
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Editing, cutting, transitioning, audio manipulation.
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Difficult to learn fully but I managed to get the very basics of the software, If other edits were required a tutorial would have to be used
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Internet Sites
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To find copyright free media
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Researching
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Very easy to use
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Sunday, 13 March 2016
Evaluation Question 4
The industry categories audiences into to main groups, tent-pole/global audiences, and domestic/national audiences. In some cases the audience that the film is trying to get distributed to can be described as niche.
Tent-pole or global audiences can be used to describe a film that is trying to get to as many people as possible. The themes within the film tend to appeal to a wider range of people (as many as possible). An example of a Tent-pole audience film is, Pixar Animation Studios, Cars (2006).
Domestic or national audiences can be used to describe a film that has the intention of reaching an audience based in a certain area of a country, or the whole country. In case of British film, the themes within the film's tend to target historical or cultural relevance. An example of this is BBC Films’, Pride (2014).
Our film is a niche genre and subject. This means we are likely to be targeting a domestic audience. Due to the themes within the film the primary audience will be a male audience. This would also mean that our likely casting actors would be small to unknown names with little experience in indie films.
The BBFC are an non-governmental body that classifies both theatrical released films and DVD copies. They classify films from U (anyone can watch) to 18 (viewers of age 18 or over). An example of a recent film under inspection was ‘Batman v Superman: Dawn of Justice’. The BBFC insight to this noted moderate violence, and threat resulting in a 12A classification.
Tent-pole or global audiences can be used to describe a film that is trying to get to as many people as possible. The themes within the film tend to appeal to a wider range of people (as many as possible). An example of a Tent-pole audience film is, Pixar Animation Studios, Cars (2006).
Domestic or national audiences can be used to describe a film that has the intention of reaching an audience based in a certain area of a country, or the whole country. In case of British film, the themes within the film's tend to target historical or cultural relevance. An example of this is BBC Films’, Pride (2014).
Our film is a niche genre and subject. This means we are likely to be targeting a domestic audience. Due to the themes within the film the primary audience will be a male audience. This would also mean that our likely casting actors would be small to unknown names with little experience in indie films.
The BBFC are an non-governmental body that classifies both theatrical released films and DVD copies. They classify films from U (anyone can watch) to 18 (viewers of age 18 or over). An example of a recent film under inspection was ‘Batman v Superman: Dawn of Justice’. The BBFC insight to this noted moderate violence, and threat resulting in a 12A classification.
Saturday, 12 March 2016
Evaluation: Question 3
What kind of media institution might distribute your media product and why?
A distributor is (generally) a company that handles the marketing and theatrical release of the film. Depending on the distribution company this could be on both global and national scales. There are two main types of markets and target audiences, these are:
- Global tent-pole: This targets as many people as possible meaning that the marketing will not be kept on a national scale, but international.
- Local independent: This targets a niche market of people. On very small budget films the marketing net may be further narrowed to a region, opposed to national marketing.
The main thing that would make the choice of institute to distribute the film is the funding or budget that the film has. If the film has a really small budget to get all the production and distribution done then an independent distributor, such as Film4 and Microwave. Conglomerates are the other types of distributors that we could go into co-productions with, although these usually fully cover the distribution of the film during it’s theatrical release, they usually are after a pre-established production team.
Film 4:
Film 4 is Channel 4 Television’s film division used to develop and co-finance films. They are known for working with distinctive and innovative British talent, both new and previously established. Examples of films they have been involved in recent years include: Steve McQueen’s 12 Years a Slave and Danny Boyle’s Slumdog Millionaire.
BBC Film:
BBC Films was founded in 1990. It co-produces around 8 films a year, working with major distributors both nationally and internationally. Recent movies include X + Y and Mr. Holmes.
Studio Canal:
Studio canal is a French based distribution company that owns the third largest film library in the word. The company is a unit of the Canal+ Group, which is owned by Vivendi. Recent releases include Paddington (2014), Shaun the Sheep Movie (2015), and MacBeth (2015).
Microwave Film London:
Microwave funds film as well as give development and mentoring support to shortlisted projects, also including production finance and distribution support to final commissioned films.
A distributor is (generally) a company that handles the marketing and theatrical release of the film. Depending on the distribution company this could be on both global and national scales. There are two main types of markets and target audiences, these are:
- Global tent-pole: This targets as many people as possible meaning that the marketing will not be kept on a national scale, but international.
- Local independent: This targets a niche market of people. On very small budget films the marketing net may be further narrowed to a region, opposed to national marketing.
The main thing that would make the choice of institute to distribute the film is the funding or budget that the film has. If the film has a really small budget to get all the production and distribution done then an independent distributor, such as Film4 and Microwave. Conglomerates are the other types of distributors that we could go into co-productions with, although these usually fully cover the distribution of the film during it’s theatrical release, they usually are after a pre-established production team.
Film 4:
Film 4 is Channel 4 Television’s film division used to develop and co-finance films. They are known for working with distinctive and innovative British talent, both new and previously established. Examples of films they have been involved in recent years include: Steve McQueen’s 12 Years a Slave and Danny Boyle’s Slumdog Millionaire.
BBC Film:
BBC Films was founded in 1990. It co-produces around 8 films a year, working with major distributors both nationally and internationally. Recent movies include X + Y and Mr. Holmes.
Studio Canal:
Studio canal is a French based distribution company that owns the third largest film library in the word. The company is a unit of the Canal+ Group, which is owned by Vivendi. Recent releases include Paddington (2014), Shaun the Sheep Movie (2015), and MacBeth (2015).
Microwave Film London:
Microwave funds film as well as give development and mentoring support to shortlisted projects, also including production finance and distribution support to final commissioned films.
Friday, 11 March 2016
Thursday, 10 March 2016
Tuesday, 1 March 2016
Thursday, 4 February 2016
Production: Title and Ident audience testing
For the testing of the indents and title font style the choice to use the online questionnaire, https://www.surveymonkey.com/ . This is to allow ease of access to many people all at once. This means the audience test group can be the whole KS5 opposed to just a handful of students. The final survey will be posted on here after completion.
Production: Google Drive
Due to some of the team being unable to attend some of the post-production time, the decision to make and use a shared space for us all to access anywhere was taken. The use of Google Drive allows all members to access the footage and the latest edits that we have taken. All edited footage is to be dated and clearly labelled for other members of the group to have ease of access.
Monday, 1 February 2016
Production: Importing
Today the footage we filmed last month has been imported and saved onto the hard drive of the computer we will be using for our editing.
Friday, 1 January 2016
Call Sheet
Where to be...
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Who needs to be present
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Time
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Copse Tunnel
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Edd, George and Jordan
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9:45
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Grandstands
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Jordan
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11:45
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UTC (for bike)
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Edd, George
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13:00
|
Copse Tunnel
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Edd, George, Jordan
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13:15
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Workshop 4
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Edd, Jordan
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2:45
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